If you are familiar with my music, you know I’m about styles, patterns and double entendres.
Almost all creative entrepreneurs under-charge their clients ... no one has looked at what it really costs to do the work.
Fiscal sponsorship “allows individual artists and collectives to access fundraising opportunities, financial services, training and mentoring expertise."
The Berne Convention requires uniform baseline protection, but generally this is based on the country of origin.
We discovered we could activate gallery spaces as if they were crime scenes or sites of cruising—of men interacting with men.
The most appealing thing to grantors is demonstrating an ability to develop a realistic and executable plan. Get specific.
Before I start dancing or hashing ideas out in the studio, I have already accumulated too many ideas. At first I don’t put any reins on these ideas. I have dreamed them up, and I give those dreams their full due.
Animator Fernanda Torres of Bogota, Colombia, approached me about composing a soundtrack for her digital short after hearing my instrumental album. We collaborated back and forth via the Internet for about one year.
According to IRS statistics, small business formation and tax filings increased by 15% percent between 2007 and 2011. As a result the IRS's largest increase of audits were of flow-through entities in fiscal year 2012.
Nothing to See/Hear is a love story about two women and their unraveling relationship. As the estranged couple poses in a portrait studio, each reflects on their former intimacy. The story is set to the bittersweet track A True Story of a Story of True Love by The Books.
"Dance: A Moving Canvas" is program that seeks to expand dance audiences in Chicago by enabling participants to deepen their understanding of the choreographic process. Three choreographers were chosen by jury to develop work for the program.
Chicago’s art scene suffers from mid-career flight because Chicago lacks resources for financially sustaining professional artists… I wanted to find a way to re-frame these purported weaknesses as specific characteristics, and in so doing, celebrate Chicago’s DIY art scene.
I wanted to remind people of the original definition of "humanity." This earth remembers what that was like, but we, as humans, are like aliens to the very earth we live on. Our humanity is dying every day.
Due to the unconventional nature of the creative hobby business, it is often difficult to determine the best way to account for profits and losses on tax returns. When tax season comes around artists often discover they spent more money on materials and equipment than they made in income, so they show a loss for their creative venture to offset their normal employment income.
If a songwriter intends to be generating a significant income from his or her songs, I believe it is mandatory for them to possess a significant amount of cultural and professional awareness. I do not subscribe to the binary “art-versus-commerce” argument anymore. Once a songwriter exposes her song to an audience there is commerce involved.
It's pretty much a true story, based on a weird experience I had on a trip I took to Mexico....There's an old woman there who's a sort of hallucinogenic shaman. Traveling kids from all over the world congregate at her house. It's a pretty wild scene. It seemed like I should write a song about it.
Chicago is a global music powerhouse activated by musicians working across multiple genres at the highest level of artistry.
The interdisciplinary performance "3 Singers Opera" explores the female body’s relationship with machinery, particularly with the labor, production and policies of the textile industry.
We're artists. We paint, dance, act, strum, perform and write. But are we (even you, authors) masters of writing about what we do? Not always.